Índice de críticas

A.

A Month of Single Frames (Lynne Sachs, 2019)

A Spell to Ward Off the Darkness (Ben Rivers & Ben Russell, 2013)

A Tongue Called Mother (Eva Giolo, 2019)

A Yangtze Landscape (Xu Xin, 2017)

Advaita (Nipun Makkar, 2019)

Anoche Stefano Miraglia, 2017)

Antler (Atoosa Pour Hosseini, 2018)

Anxietus (Aaron Cabrero Jr., 2019)

Apparition (Ismaïl Bahri, 2019)

Apiyemiyekî? (Ana Vaz, 2019)

Aquí y allá (Melisa Liebenthal, 2019)

Aragane (Kaori Oda, 2015)

At Sea (Peter Hutton, 2007)

Atmospheric Pressure (Peter Treherne, 2019)

Avant d’oublier Héliopolis (Valentin Noujaïm, 2019)

B.

C.

Cemetery (Carlos Casas, 2019)

Centaur (Aleksandra Niemczyk, 2015)

Cézanne (Luke Fowler, 2019)

Coming Attractions (Peter Tscherkassky, 2010)

Cut to the Chase (Dean Kavanagh, 2015)

D.

Da xiang xi di er zuo (An Elephant Sitting Still) (Hu Bo, 2018)

Démanty noci (Jan Němec, 1964)

Disquiet (SJ. Ramir, 2011)

Drvo (André Gil Mata, 2018)

Dukhovnye golosa (Spiritual Voices) (Aleksandr Sokurov, 1995)

E.

Early Years (Morgan Quaintance, 2019)

Elégia (Elegy) (Zoltán Huszárik, 1965)

El espíritu de la colmena (Víctor Erice, 1973)

Ettrick (Jacques Perconte, 205)

F.

Fajr (Lois Patiño, 2017)

G.

Gora (Stefan Malešević, 2016)

H.

HÄXAN (EORÐESLAJYR, 2016)

He venido a leer la noche (Manuel Férnandez-Valdés, 2019)

Hele sa hiwagang hapis (Lav Diaz, 2016)

Home Far Away (Dimitar Kutmanov, 2018)

I.

Impressions (Jacques Perconte, 2012)

J.

Jiíbie (Laura Huertas Millán, 2019)

Jyoti and Joymoti (Mehdi Jahan, 2018)

K.

Krisana (Fred Kelemen, 2005)

L.

La espada me la ha regalado (Miriam MArtín, 2019)

La imagen arde (Lois Patiño, 2013)

The Last Were Buried Here (Annette Philo, 2019)

Lazzaro felice (Alice Rohrwacher, 2018)

Leviathan (Julien Castaing-Taylor & Verena Paravel, 2012)

Longa noite (Eloy Enciso Cachafeiro, 2019)

Luminous Void: Docurama (Rouzbeh Rashidi, 2019)

M.

Malembe (Luis Arnias, 2019)

Maɬni – Towards the Ocean, Towards the Shore (Sky Hopinka, 2019)

Markings 1-3 (Eva Kolcze, 2011)

Montañas ardientes que vomitan fuego (Samuel M. Delgado & Helena Girón, 2016)

N.

Night on the Riverbank (Toby Tatum, 2019)

Nostalghia (Andrei Tarkovski, 1983)

Notas, encantaciones: parte 1 (Alexandra Cuesta, 2020)

Notes From a Journey (Daniel Fawcett & Clara Pais, 2019)

Now, at Last! (Ben Rivers, 2018)

O.

Oh! Uomo (Yervant Gianikian & Angela Ricci Luchi, 2009)

Once Removed (Lawrence Abu Hamdan, 2019)

Ordet (Carl Theodor Dreyer, 1955)

Outer Space (Peter Tscherkassky, 2000)

Overseas (Sung-A Yoon, 2019)

P.

Playback. Ensayo de una despedida Agustina Comedi, 2019)

Polustanok (Sergei Loznitsa, 2000)

Potamkin (Stephen Broomer, 2017)

Proshchanie (Elem Klimov, 1982)

Q.

R.

Reserve (Gerard Ortín Castellví, 2020)

Return of Suspicion (Dean Kavanagh, 2014)

S.

Sakhisona (Prantik Narayan Basu, 2017)

SANTA TERESA (Alessandro G. Capuzzi & Emanuele Dainotti, 2016)

Scorpion’s Stone (Maximilian Le Cain, 2018)

The Secret Garden (Phil solomon, 1988)

Sleep Has Her House (Scott Barley, 2017)

Stalker (Andrei Tarkovski, 1979)

T.

Tabiate bijan (Sohrab Shahid Saless, 1974)

Ta peau si lisse (Denis Côté, 2017)

Tenshi no tamago (Angel’s Egg) (Momoru Oshii, 1985)

Tikhiye stranitsy (Whispering Pages) (Aleksandr Sokurov, 1994)

Twelve Seasonal Films (Jorge Suárez-Quiñones Rivas, 2019)

U.

Uzel (Aleksandr Sokurov, 1999)

V.

Valdediós (Elena Duque, 2019)

Vitalina Varela (Pedro Costa, 2019)

W.

Walker (Tsai Ming-liang, 2012)

Weary Waves (Sibi Sekar, 2020)

What is This Land? (James A. Riley, 2019)

White Epilepsy – Meurtrière – Unrest (Philippe Grandrieux, 2012, 2015, 2017)

Wishing Well (Sylvia Schedelbauer, 2018)

X.

Y.

Z.

Zerkalo (Andrei Tarkovski, 1975)

Zimsko sunce (Pilar Palomero, 2017)